1 CD
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€ 19.95
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Label Challenge Classics |
UPC 0608917200119 |
Catalogue number CC 720011 |
Release date 31 January 2025 |
"4*** star review in The Guardian: "Francisco Coll: A Portrait album review – assured collection charts the rise of a compelling voice" [...] ".... in these five instrumental and ensemble works, all played with great virtuosity by members of The Hague-based New European Ensemble. It’s a remarkably assured collection; even the earliest work here, the ensemble piece Piedras, with its parade of brilliantly coloured musical images which are managed so confidently, shows the startling fertility of the Valencia-born composer’s aural imagination, and the same ability to conjure up ideas with an utterly distinctive rhythmic and melodic profile is displayed on a smaller scale in the four movements for flute, viola and guitar of ... De voz aceitunada, which was written in 2010 and then revised in 2023.""
The Guardian, 21-2-2025The New European Ensemble (NEuE) tells stories, through the communicative power of new music. Stories that aim to reflect, challenge, inspire and deepen our understanding of human experience and our environment.
The group often combines music with film, literature, theatre, dance and visual art. The ensemble has collaborated with Edward Snowden, Boris van der Ham, Nick Verstand, DeFrame, Opera2Day, Het Nationale Theater (Netherlands National Theatre), Amnesty International, The International Criminal Court and War Child.
NEuE was founded in 2009 in the Netherlands by dedicated and passionate musicians from across Europe. The ensemble has built a reputation for imaginative programming as well as ‘fantastic’ (NRC) and ‘excellent performances’ (de Volkskrant) and has been called one of the ‘Netherland’s leading ensembles’ (Nieuwe Noten). In 2019, the NEuE was awarded the prestigious Kersjesprijs recognising ‘10 years of achievement at the highest level presenting contemporary music to a wide audience in a gripping and accessible way.’
Composers including Mark Anthony Turnage, José María Sánchez-Verdú, Anna Thorvaldsdóttir, Guo Wenjing, Carlo Boccadoro, Martijn Padding and Klas Torstensson have written works for the ensemble.
The group has performed in nearly all of The Netherlands’ major concert halls and theatres among them the Concertgebouw, Carré Theater and Muziekgebouw aan ’t IJ in Amsterdam, De Doelen in Rotterdam, Tivoli Vredenburg and The Royal Theatre in The Hague. The ensemble performs regularly at festivals such as Gaudeamus Muziekweek, Festival Vlaanderen, November Music, Shanghai New Music Week, Beijing Contemporary Music Festival and Svensk Musikvår. International tours bring the group to the UK, Germany, Belgium, Sweden, Finland, Italy, Lebanon, China and Hong Kong.
The ensemble’s musicians regularly work with young composers and performers at the Hague’s Royal Conservatoire and at music schools worldwide.
4*** star review in The Guardian:
"Francisco Coll: A Portrait album review – assured collection charts the rise of a compelling voice"
[...]
".... in these five instrumental and ensemble works, all played with great virtuosity by members of The Hague-based New European Ensemble. It’s a remarkably assured collection; even the earliest work here, the ensemble piece Piedras, with its parade of brilliantly coloured musical images which are managed so confidently, shows the startling fertility of the Valencia-born composer’s aural imagination, and the same ability to conjure up ideas with an utterly distinctive rhythmic and melodic profile is displayed on a smaller scale in the four movements for flute, viola and guitar of ... De voz aceitunada, which was written in 2010 and then revised in 2023."
The Guardian, 21-2-2025
For this recording, a high-caliber ensemble was assembled to perform Coll’s music at a high level and with great commitment. Above all, the inherent colors of the works shine through.
Pizzicato, 06-1-2025
All in all a wonderful CD, not least because of the contribution of the New European Ensemble and conductor Tito Munoz, who have clearly put their heart and soul into the interpretation of these demanding scores.
Opus Klassiek, 01-1-2025